Board of Directors
Gillian McCormack (Chair)
Camille currently holds the post of International Projects Manager at Festivals Edinburgh, the strategic umbrella organisation focused on over-arching areas of mutual interest. Camille supports Edinburgh’s 11 major festivals’ joint international ambitions and works with a number of key strategic partners at city and national level on joint Cultural Diplomacy. Prior to that, Camille was Arts Manager at British Council Scotland where she lead on initiatives between Scotland and Latin America, with a focus on Argentina. Camille grew up in the French Pyrenees and has been living in Edinburgh for the last twelve years where she studied Festivals and Events Management.
Camille is also a Board member of Catherine Wheels Theatre Company, Scotland’s leading producer of work for children and young people.
A Glasgow-based Singaporean, Ramesh Meyyappan is a theatre maker who develops performances using an eclectic mix of visual and physical theatre styles. Ramesh continually seeks to develop and extend his theatrical visual vocabulary, for example incorporating circus techniques, bouffon, puppetry and illusion within his work. He enjoys the challenge of creating strong narrative visual work.
Over the years, his solo performances and collaborations have toured nationally and internationally (over 20 countries) to much critical acclaim. He has been nominated five times for Best Actor at the Life! Theatre Awards (Singapore) and awarded the accolade twice. In Scotland he was nominated for a Total Theatre Award for Snails and Ketchup and for a CATS – Best Actor for Off Kilter.
Ramesh is an associate artist of Raw Material and represented by Brennan Artists as an actor.
Ramesh is currently teaching the module he developed - Visual Theatre Module (BA Degree for Deaf) at Royal Conservatoire of Scotland in Glasgow, Scotland.
Ramesh is a board member of 21Common.
Francis McKee is an Irish writer and curator working in Glasgow. From 2005 - 2008 he was director of Glasgow International, and since 2006 he has been the director of the Centre for Contemporary Arts, Glasgow. He is a lecturer and research fellow at Glasgow School of Art. He has worked on the development of open source ideologies and their practical application to art spaces, specifically the Centre for Contemporary Arts in Glasgow. He curated the Scottish participation at the Venice Biennale with Kay Pallister in 2003. Since 2011 he has been lead researcher on an AHRC research project - The Glasgow Miracle: Materials Towards Alternative Histories - indexing the archives of The Scottish Arts Council Gallery, Glasgow, the Third Eye Centre and CCA, spanning 1973 to the present.
Judith Patrickson is the Director of Finance and Company Secretary of Scottish Opera, and has been with the company since 2001. Previously she worked as an auditor in Newcastle, Sunderland, Cambridge and Hexham, and from 1996 to 2001 was Audit Manager with Coulsons Chartered Accountants in Scarborough, specialising in Charities. She is a Fellow of the Institute of Chartered Accountants of England and Wales, and has a Diploma in Charity Accounting. Judith was a member of the group responding to the Charity and Investment (Scotland) Bill for Institute members in Scotland.
She is the Hon. Treasurer of the Friends of Scottish Opera, Director of Cheek by Jowl, Director of Capella Nova and Director of Cove Park.
Judith is a member of the Kelvin Choir in Glasgow and a founder member of The Argus Singers in Durham. She enjoys attending the theatre, music concerts and festivals.
Caroline has worked in the arts in Scotland since 1995 and has devised and delivered projects for a range of organisations including Suspect Culture, Playwrights’ Studio, FST, National Youth Orchestras of Scotland, Scottish Ensemble, RSNO and sound festival. Her work has focussed on developing skills and inspiring the potential of artists and young people in both the formal and informal education sectors. Caroline has a range of skills and experience including: developing partnerships with multiple organisations to deliver a range of arts and participatory projects, professional and organisational development, change management, business strategy and development commissioning and touring work of emerging and early career stage artists nationally and internationally alongside the production of large-scale events and festivals. Caroline is also a mentor with FST’s Step Up programme.
Mark was Artistic Director of the Royal Lyceum Theatre Company from April 2003 till June 2016 during which time he has directed over twenty productions including world premieres of Donna Franceschild’s Takin’ Over the Asylum, D C Jackson’s The Marriage of Figaro, Jo Clifford’s Every One and adaptation of Goethe’s Faust parts one and two, Six Black Candles by Des Dillon, John Byrne’s Uncle Varick as well as his own plays: A Madman Sings to the Moon, Pinocchio, his adaptation of James Hogg’s The Private Memoirs and Confessions of a Justified Sinner and, in 2011, Wondrous Flitting. In 2015 he directed The Caucasian Chalk Circle which won 4 CATS awards and earned him a nomination for Best Director at the UK Theatre Awards. Also that year his production of Waiting For Godot starring Brian Cox and Bill Paterson was nominated for several categories including Best Director and won Best Production at the CATS.
Mark was Artistic Director of the Brunton Theatre Company from 1997 to 2002, directing 21 shows and winning a Herald Angel Award for his play A Madman Sings to the Moon, and a Scotsman Fringe First and a Herald Angel Award for his play Moving Objects.
Prior to that he was Assistant Director at the Theatre Royal Stratford East and the Royal Shakespeare Company and Associate Director at Nottingham Playhouse.
Mark is also on the board of Puppet Animation Scotland and Poorboy Theatre Company.
When not fretting over theatre Mark plays in his band The Bail Sheriffs and cycles in all weathers.